保罗·默顿看希区柯克 Paul Merton Looks at Alfred Hitchcock

讲述了欧洲时期的希区柯克和他的电影，希区柯克的电影技术没有大多数喜欢技术的导演一样在电影中表现得那么明显，更多的是润物细无声的。片子里介绍了几个他的拿手好戏，在一个伪流动镜头中的“偷剪”。导演深得希区柯克的精神，纪录片拍得比较“英式”幽默、生动。

希胖的蒙太奇和运动镜头实在经典。看完觉得很多scene之前都没了解到其精妙之处。

Paul Merton explores how Hitchcock’s later, much loved films are full of visual sequences which owe a huge debt to his early days as a silent film director. For Hitchcock, influenced by the German Expressionist cinema, the pictures would always be more important than the dialogu

德意志技艺+苏俄理论 // If Hitchcock was interested in a story for a potential film project, he presented it to Alma (his wife) before anyone else. If she didn't think it would make a good movie, he instantly dropped it,

Hitchcock's second film, The Mountain Eagle, is now lost. Plot Keywords: Reenactment